This year, I have chosen only to see Moroccan films in the Marrakech Film Festival. I have made Morocco my home and so enjoy seeing its culture, relationships, politics and society through the lens of the movie camera. I also enjoy wondering why the Moroccan audience laughs at scenes I do not find at all amusing – there are clearly some cultural nuances that I still have to fathom!
Samira’s Garden begins with images of the art nouveau buildings of Casablanca that I so recently photographed myself. These big city scenes serve to underscore the distance – in kilometers but also in lifestyle – that Samira, the main character, is obliged to travel. Once Samira arrives at her destination, she begins her real journey. She has been married off to an older relative, a tomato farmer on an isolated estate some distance even from the nearest village.
maroc-o-phile at the Marrakech Film Festival
As I have now been living in Morocco full-time for three months, I was keen to attend the 12th Marrakech International Film Festival (30 Nov-8 Dec), in particular to see a selection of Moroccan movies, both in the competition and in the other categories. I wasn’t alone: all the Moroccan films were sell-outs, not only in the prestigious first screenings at the Palais des Congres, but also for the re-runs in the Cinema Colisée.
Malak (in the Coup de Coeur section of the festival) is the story of a teenage Moroccan girl who falls pregnant and her attempts to find a solution to her situation. That’s the plotline, but Malak is really a film about the marginalised in society; about the diversity of modern Moroccan society and the taboos that people face when they depart from socially acceptable behaviour.
crowds await celebs on the red carpet
On 16 May 2003, 12 suicide bombers detonated bombs in 5 sites in Casablanca, killing themselves and 33 others and injuring more than 100 others. They were the most lethal terrorist attacks in Morocco’s history. Last night, I attended the first showing of Nabil Ayouch’s Horses of God – about the Casablanca bombings – to a Moroccan general public.
source – iremmo.webou.net
Nabil Ayouch was born in Paris of a mixed Muslim/Jewish marriage. He directed the acclaimed docu-style drama, Ali Zaoua about street kids in Casablanca. This year, partially as an exercise in exploring his own heritage, he released a new work: a documentary exploring the Palestinian issue. I was fortunate to be able to watch My Land at the Alliance Franco-Marocaine in Essaouira as part of their documentary month.
source – www.bozar.be
In the week where hostilities in between Israel and Palestine are in the news once again, a film about halcyon days of Muslim-Jewish coexistence was all the more poignant. And the film had all the more impact because it was made – not by a nostalgic Jew, but by a young historian and film-maker of many identities, none of which was Jewish or Israeli.
Death for Sale is Morocco’s entry for the Best Foreign Language Oscar at the 85th Academy Awards. The publicity blurb makes it sound like the jewellery heist is the main event in this, Moroccan director/writer/actor Faouzi Bensaïdi’s latest film. However, the crime thriller label does not do this film justice. It is a character study of three friends, united in their lack of prospects and a desire to break free from the shackles of poverty without the real tools to do so. It is also a dark tale of misplaced trust, deception and corruption. Continue reading